Buy La Scoring Strings
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So many great film scores get their eeriness from strings playing harmonics, but most libraries overlook harmonics, or include a throwaway patch or two. Each LASS section (and sub-section) contains very usable harmonic patches. The same can be said for its sordino (muted strings) patches, which offer yet another palette of sound.
This is probably a good time for me to address the big question and let you know how LASS sounds: exceptional. I was glad to hear that the library has a dry overall sound without much ambience, allowing for more definition in phrasing. The strings themselves sound pristine and smooth, while the shorter articulations possess a slight grit to their attack. I own a few string libraries, but I don't think I'll be using any of them in the foreseeable future. LASS covers everything very well, even as a solo instrument. The other major libraries have some big things in the works, but they would have to really hit it out of the park to touch LASS, which is outstanding and ready now.
LASS is our famous original 60-piece multi-instrument divisi string library, painstakingly developed by recording three different divisi sections ( + + section at a time) on a trusted scoring stage, for unprecedented individual control of each section. We have also recorded First Chair players so you can layer them with the sections or use them as soloists. From the delicate tones of a divisi section playing Sustains and beautiful Legatos, to the power of Staccatos and Spiccatos and everything in between, LA Scoring Strings 3 captures the broad expressive range and diversity of the orchestral string family while providing the flexibility to create smaller intimate section sounds. Pristine recordings and meticulous editing ensure every note of your music will shine.
At the end of the day, when you do your final mix-down or exports, it all comes down to the actual sound of the strings. They need to sound great! Mixed to standard orchestral seating, all the divisis combine beautifully for a lush and glorious sound. From articulate Smart Ostinatos and Scales to the velvety smooth Sordino and Sul Tasto articulations to the powerful Shorts articulations to the hair-raising Aleatoric articulations (and everything in between) MSS is a library that fully captures the broad expressive range and diversity of the strings family and our Auto Divisi engine does all the hard divisi work for you resulting in a smooth, balanced sound. Pristine recordings with 4 different mic mixes and meticulous editing coupled with our easy-to-use and intuitive orchestral engine will ensure every note of your music will shine without the need for tedious MIDI micro-editing.
LA Scoring Strings 2.0 (LASS) brings you a whole new set of tools and sonic profiles providing a new level of expressiveness, realism, real-time playability and program-ability to sampled strings. Aside from our new Stage & Color feature (providing an easy way for you to have LASS sound like famous orchestral recordings and film scores), LASS 2 has over 60 new patches ranging from Aleatoric (string effects) to NV-Vib (non vibrato to vibrato) to Real Legato Tremolo and Trill patches.Below is a partial list of some of LASS 2.0's new features (you can also read about LASS's new A.R.C. (Audiobro Remote Control).
The players are recorded in position on the scoring stage and mixed in the traditional orchestral seating perspective, making it simple to get a magnificent string mix out of the box. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that.
Hollywood Strings has many groundbreaking features not found in any other collection. Finger position is, for the first time, controllable by the user, so you can play as far up the strings as you want, and get a fuller more romantic Hollywood sound. Vibrato intensity and extensive dynamics are controllable by the user. Extensive multi-dynamic true legato has been sampled for all sections in three different categories: slurred, portamento, and bow change. This results in unsurpassed legato performance that has never been available. Hollywood Strings has five user-controllable mic positions, including main pickup (Decca tree), mid pickup, close pickup, surround pickup, and an alternate vintage circa 1945 RCA ribbon room pickup.
Hey Mikael! I agree. Another one of the reasons i tend to use my scoring software, Dorico Pro, when I want to do a full orchestral piece with all the instrument sections. It allows me to orchestrate realistically with harmonizing the two flutes with two clarinets or separating the harmony between horns 1 + 2 with 1 trumpet and horns 3 + 4 with 2 trumpet etc. Plus you can divisi so you can maintain a rich harmony with less and quieter instrumentation.
VST instruments offer a variety of options for your recording needs. You may not own a string instrument, or you may want to broaden your sound palette with different strings samples as well as experimenting with other instruments.
Most orchestral strings VSTs are of excellent quality and each library I find tends to get approved by a lot of my clients. Many of them prefer high-quality sounding pieces over music that may be well-written but used with poor samples.
Some libraries are similar in sound yet have their own individual perks. With research, every composer is capable of choosing an appropriate strings library that will enhance their compositions depending on their creative requirements. I have met colleagues who prefer certain libraries over others and vice versa.
Orchestral Tools Berlin Strings is a string library held in high regard by its users. This library is one of the industry standards when it comes to orchestral strings and is nothing short of awe-inspiring.
There are numerous legato expressions in Berlin Strings that are triggered by the keyboard velocity. Legato patches create soft attacks at low velocity and accented sustains at high velocity; portamento slides are activated at high velocities. It is worth noting that legato is a very important articulation in string playing. It causes strings to sound lush and full in an orchestral piece.
Berlin Strings by Orchestral Tools is a high-quality, industry-standard strings library backed by many composers and musicians including the likes of David Newman, Junkie XL, Harry Gregson-Williams, Jeff Russo and Richard Harvey.
Orchestral Tools have just released a new strings library: Berlin Symphonic Strings. The library focuses on large string sections capturing cinematic, rich string compositions that maintain the renowned characteristics of the Berlin series.
The strings were recorded at the Teldex Scoring Stage in Berlin and are sampled in situ, with players in the traditional strings seating arrangement with violins on the left, violas in the center and celli and basses on the right. This seating arrangement helps create a natural, homogenous blend.
Overall, EastWest Hollywood Strings is an enormous library full of everything you could possibly need in a traditional orchestral strings setup. The powerful scripts that implement many techniques and finger positions are what makes Hollywood Strings an industry-standard choice for composers.
It contains ensemble, divisi, as well as solo string sections. The strings were recorded inside a church instead of a typical closed studio setup like most other string libraries. In spite of the recording location, these samples are not heavy in reverb and sound quite natural.
8Dio has really outdone themselves by re-working and consolidating the best samples from their Adagio and Agitato packs into one combined library with a more notably clean and intuitive interface. Those who owned Adagio and Agitato will rejoice in knowing that Anthology strings has placed all articulations in the browser on the main window instead of creating hundreds of separate instruments.
Typically, low strings can sound quite muddy, but 8Dio has created a sound that can be large and weighted, or very nuanced. For fans of the 8Dio sound, this will be a natural purchase or upgrade from their previous string collections.
July 6, 2012 at 03:25 PM Dominant E's are notoriously bad, and not many people use them. E strings are temperamental and inexpensive, so I recommend that you buy several and see which one you like on your violin. The ones that have been known to work with Dominants include but are not limited to:
July 6, 2012 at 04:40 PM It drives me crazy when I tell students their violin needs adjusting, or they need to change their strings, or the seam needs to be glued, or the fingerboard needs to be planed. Then when they finally get around to doing it several months later, they wonder why they have been struggling with their playing. I ask them that if they were a carpenter and their saw was dull, would it take them that long to get the saw sharpened.
July 6, 2012 at 08:40 PM I seem to be all alone, but I prefer the singing sweetness of the Dominant E; I am used to graduating my bow strokes as I cross the four strings: short-and-heavy on the G, to long-and-light on the E.
July 7, 2012 at 06:44 PM Don't put yourself in a position to find out. E strings are cheap, easily available, and take no time to settle in. Failure to take care of such an easily remedied problem might not speak well for your commitment. 59ce067264
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